Modern Art 1851-1929 by Richard R Brettell AND Impressionism and Post-Impressionism 1874-1904 by Linda Nochlin - Posh&Page Vintage
Modern Art 1851-1929 by Richard R Brettell AND Impressionism and Post-Impressionism 1874-1904 by Linda Nochlin - Posh&Page Vintage
Modern Art 1851-1929 by Richard R Brettell AND Impressionism and Post-Impressionism 1874-1904 by Linda Nochlin - Posh&Page Vintage
Modern Art 1851-1929 by Richard R Brettell AND Impressionism and Post-Impressionism 1874-1904 by Linda Nochlin - Posh&Page Vintage
Modern Art 1851-1929 by Richard R Brettell AND Impressionism and Post-Impressionism 1874-1904 by Linda Nochlin - Posh&Page Vintage
Posh&Page Vintage

Modern Art 1851-1929 by Richard R Brettell AND Impressionism and Post-Impressionism 1874-1904 by Linda Nochlin

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Synopsis:
Modern Art:
Richard R. Brettell's innovative and beautifully-illustrated account explores the works of artists such as Monet, Gauguin, Picasso, and Dali--as well as lesser-known figures--in relation to expansion, colonialism, nationalism and internationalism, and the rise of the museum. Beginning with The Great Exhibition of 1851 in London, Brettell follows the development of the major European avant-garde groups: the Realists, Impressionists, Post-Impressionists, Symbolists, Cubists, and Surrealists. Giving attention to the changing social, economic, and political climate, the book focuses on conditions for the development of modern art such as urban capitalism, modernity, and the accessible image made possible by art museums, temporary exhibitions, lithography, and photography. Brettell examines artists' responses to modernism, including changes in representation, vision, and "the art of seeing." Combining the most recent scholarship with 140 illustrations--75 in full color--the book chronicles the change in art and image itself, from the iconology of new representations of the nude human form to the anti-iconography of "art without 'subject'": landscape painting, text and image, and abstraction.

Tracing common themes of representation, imagination, perception, and sexuality across works in a wide range of different media, and offering profuse illustration to bring the changing art forms vividly to life, Modern Art 1851-1929 presents a fresh approach to the fine art and photography of this remarkable era.

Impressionism and Post-Impressionism:
The author strikes a balance between a wide variety of familiar and less well-known sources to bring us the views of the writers of the time who in turn put into words the aspirations of the artists themselves. These sources trace the struggles of the artists to break away the traditional forms of expression and to attain a new vision of reality.

- two modern art books sold as a set

- both vintage paperbacks, one from 1999 and one from 1966

- both excellent condition


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